Stories told from multiple points of view are steeped in a specific character’s perspective in any given section. Dramatic irony is a great technique to create tension, suspense, and faster pacing. This provides the opportunity for the author to create dramatic irony, where the reader thinks “No don’t open that door!” because they know what is behind the door while the character does not. The reader then knows more than any one character. The reader gains a greater sense of the relationship between the characters and the overall world because they have more perspectives and more data. Like in omniscient, one of the key benefits of multiple points of view is the ability to show the reader what multiple characters are thinking and feeling. The lack of head hopping is a key difference between multiple and omniscient points of view. Only Rachel’s perception of the other character is known. Because that chapter is told from Rachel’s (the protagonist’s) perspective, the reader does not know what the other character is thinking, planning, or feeling. At the end of the book, two point of view characters are in a dangerous, stressful situation. Paula Hawkins uses multiple points of view in The Girl on the Train, so the reader gets to know three very different women. Stories with multiple POVs have sections told from the point of view of different characters, and within these sections, only show the perspective of the character through whose eyes the section is being told, even if another point of view character is present. One sentence could reveal the heroine’s escape plan and the next could show what the villain is thinking. In omniscient, the reader can see the inner thoughts and emotions of any character at any time. Although both techniques allow the author to tell a larger story, dive into the heads of multiple characters, and show more of the world, they accomplish this in different ways. Stories that switch points of view are not the same as those that use omniscient POV.
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